Compressing Scales: Characters and Situations in Egyptian Internet Humor
Cite as: Chihab El Khachab (2017) “Compressing Scales: Characters and Situations in Egyptian Internet Humor”. Middle East Critique 26 (4): 331-353
Tag: Egypt
Les caractères nationaux dans la caricature numérique égyptienne
This paper was given at the 2nd Congress of the GIS (Groupement d’intérêt scientifique) Moyen-Orient et mondes musulmans organized at the INALCO (Paris) on July 5th-8th, 2017
The page 99 test
My thesis is not about the link between cinema and car mechanics in Egypt, but this is what I discuss on page 99. There is still a sense in which this link touches on a core intellectual contribution that I …
Technology and Anticipation in Egyptian Film Production
This paper was given at the 2017 Canadian Association of Social and Cultural Anthropology (CASCA) and International Union of Anthropological and Ethnological Sciences (IUAES) joint meeting at the University of Ottawa
State Control over Film Production in Egypt
Cite as: Chihab El Khachab (2017) “State Control over Film Production in Egypt” Arab Media & Society, 23 http://www.arabmediasociety.com/?article=987
The Perennial “Crisis” of the Egyptian Film Industry
This paper was given at the “Rethinking Media through the Middle East” conference organized at the American University in Beirut on January 12th-14th, 2017
Rethinking State Control over Media Production in Egypt
This paper was presented at the 2016 Middle East Studies Association (MESA) Annual Meeting in Boston
“What Does it Look Like?”: On the Use of Intermediary Images in Egyptian Film Production
Cite as: Chihab El Khachab. (2016). “‘What Does it Look Like?’: On the Use of Intermediary Images in Egyptian Film Production”, Visual Anthropology Review, 32 (2): 167-179
Living in Darkness
Cite as: Chihab El Khachab (2016) “Living in Darkness: Internet Humour and the Politics of Egypt’s Electricity Infrastructure” Anthropology Today, 32 (4), 21-24 https://doi.org/10.1111/1467-8322.12268
Three Meanings of “Work” in the Egyptian Film Industry
This paper was presented at the 2016 European Association of Social Anthropologists (EASA) Biennial Conference at the University of Milano- Biccoca